![]() “We had to find a location where we could grow a massive cornfield and basically buy out a big swath of that, so they wouldn’t harvest it while we were shooting. “We had to grow a cornfield!” Haye exclaims with a small laugh. To that end, they needed a remote farmhouse on the edge of a cornfield, where Frannie could fall into a well and come face-to-face with Flagg.Ĭourtesy of Robert Falconer/CBS ©2020 CBS Interactive, Inc. At the same time, they got to break new ground by helping give Frannie Goldsmith her own stand against The Walkin’ Dude. that has to do with the company and product that created her pyrokinesis,” Haye teases.ĭue to the fact that King’s script for the finale was mostly a brand-new epilogue that did not appear in his original novel, Haye and the production crew had almost no reference material to draw from. “It’s so subtle, you’ll probably never see it, but we folded up a little origami and put it on the windowsill next to Frannie’s walkie-talkie in the farmhouse in that last episode,” Haye says of the homage to young Georgie Denbrough’s paper boat (see the image above).Īs for Firestarter, go back and keep a close eye on the drugstore shelf when Stu Redman raids the local pharmacy. ![]() Courtesy of CBS All AccessĮpisode 9 (“The Circle Closes”) contains homages to IT and Firestarter, as well as an appearance from Mick Garris, director of the 1994 Stand miniseries. On the far left, you can spot the paper boat that Georgie sails in the rain before his death at the. I then took the image of Flagg in his cowl and sort of turned the Eye of the Crimson King into a sigil that looked like Flagg in his cowl,” Haye reveals. ![]() “I just did a bunch of research and found the Eye of the Crimson King. It’s so vast, that there’s an infinite number of names to choose from.”Įlsewhere, The Stand tips its hat to King’s multiverse magnum opus, The Dark Tower, via the Roland Ranger Station (where Harold Lauder finds explosives) and Flagg’s sigil in New Vegas. “Anytime you see a restaurant, storefront, street sign, or anything like that, oftentimes, we tried to reference some place or person in King’s mythology. “It’s a still because we couldn’t get him there to shoot,” says Haye. Take, for instance, King’s cameo - see above - on a bus shelter advertisement for Hemingford Home (the retirement home in which Nick Andros and Tom Cullen find Mother Abigail). There’s a Stephen King quote ‘Talent is cheaper than table salt.’ And so, the brand name of a salt on the table in a restaurant is ‘Talent.’” Our graphic designer and our prop team were very clever and very into it in terms of building a world that was full of hidden meaning. ![]() He continues: “If you were to pick up every beer bottle and every matchbook, you would find that there’s a little Easter egg. We took that and tried to something for the fans.” You guys good with that?’ ‘Yeah, go for it.’ They just wanted us to tell the story, most of all, and make it look amazing. We wanna throw all these things out there. “It was really our departments: the props and graphics,” Haye admits. Nevertheless, they’re par for the course if you’re going to bring a King novel, short story, or novella to the screen. What’s more: the impetus to include Easter eggs wasn’t part of the initial job description. Once a grounded aesthetic was found, however, Haye and his team could go nuts, injecting each and every set with minute details that would confound even the most hawk-eyed of viewers.
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